Digital Camera Deal

Digital Compositing for Film and Video is a hands-on, practical, how-to guide that addresses the problems and difficult choices faced by the professional compositor in real-life situations. It presents techniques, tricks, and solutions for dealing with badly shot elements, coloration artifacts, and mismatched lighting that bedevil actual compositors working on real shots. Readers are offered in-depth practical methods for matte extraction, despill procedures, compositing operations, and color correction--the "meat and potatoes" of all digital effects. Compositing is the artistic blending of several disparate elements from a variety of sources into a single image while making all the component elements appear to be in the same light space and shot with the same camera. When confronted with a bad composite any observer will recognize that something is wrong--the artist will know what is causing the problem, and the technician will know how to fix it. A good compositor must be both an artist and a technician. Written by a senior compositor with over ten years' experience in both feature film and broadcast television, this book offers a broad range of alternative solutions that will save hours of fiddling with composites trying to get them to look right when the basic tools aren't working. A companion CD-ROM provides examples of the many topics covered in this book.

The Manual of Photography is the standard work for anyone who is serious about photography - professional photographers and lab technicians or managers, as well as students and enthusiastic amateurs who want to become more technically competent. The authors provide comprehensive and accessible coverage of the techniques and technologies of photography. The Manual has aided many thousands of photographers in their careers. The ninth edition now brings this text into a third century, as the first edition dates from 1890. Major new updates for the ninth edition include: Coverage of digital techniques - more emphasis on electronic and hybrid media Greater coverage of colour measurement, specification and reproduction - illustrated with a new colour plate section Dealing with the fundamental principles as well as the practices of photography and imaging, the Manual topics ranging from optics to camera types and features, to colour photography and digital image processing and manipulation. The authors write in a reader-friendly style, using many explanatory illustrations and dividing topics into clear sections.

Digital single-lens reflex camera - A digital single-lens reflex camera (Digital SLR or DSLR) is a digital camera that operates on the same optical and mechanical principles as a standard film single-lens reflex camera. The key difference is that the film is replaced with a CCD or CMOS sensor plus accompanying electronics, thus creating images digitally like handheld digital cameras.

Digital camera memory media - Digital camera memeory media, or just memory media when used in reference to digital media recording devices, can refer to any number recording formats, standards, and systems. It usually references the type of media used by a digital camera to store picture data on.

Digital camera back - The Digital camera back is a type of high-end digital photography equipment. Most digital cameras are built to operate as a self-contained unit.

Bridge digital camera - Bridge digital cameras are a kind of digital cameras occupied a niche which draws a bridge between digital single-lens reflex cameras and compact digital cameras.

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